Amine Hassen 2022-01-24   

Animals in korean
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Amine Hassen 2022-01-24   

seasons in korean
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Amine Hassen 2022-01-24   

mood in korean
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Amine Hassen 2022-01-24   

homonyms in korean part 1
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Amine Hassen 2022-01-24   

homonyms in korean part 2
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Amine Hassen 2022-01-24   

homonyms in korean part 3
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Amine Hassen 2022-01-24   

homonyms in korean part 4
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Besma Agrebaoui 2021-11-06   

preposition 1
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Besma Agrebaoui 2021-11-06   

preposition 2
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Besma Agrebaoui 2021-11-06   

positions
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Besma Agrebaoui 2021-11-06   

phrasal verbs
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Besma Agrebaoui 2021-11-06   

my house
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Besma Agrebaoui 2021-11-06   

idiomatic
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Besma Agrebaoui 2021-11-06   

comparative
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Besma Agrebaoui 2020-10-03   

“A eus le rag hwedhlow dyffrans?” So goes the first track on Le Kov, the second album by Welsh singer Gwenno Saunders. But it isn’t Welsh: it’s Cornish, a minority language spoken by fewer than a thousand people. The line translates as “is there room for different stories?” – and this is the question at the heart of her record, which celebrates variance in language, culture and identity. The song goes on to hymn the importance of hearing from “the ones who didn’t win”. And on the surface of things, the Cornish language clearly lost the fight: the last monoglot speaker died in 1777. Yet Saunders’ album, a dreamy, lush piece of psych-pop, is one of many signs of new life. Britain is rich in minority languages, and there’s a growing awareness of them, possibly reflecting our desire – as culture grows ever-more globalised – to re-connect with what is local, or simply to celebrate the multicultural melting pot of British identity. Welsh is the best known and most-spoken minority language, but there are also three distinct versions of Gaelic, spoken in Scotland, Ireland and the Isle of Man. All have seen long-term declining numbers of speakers – but all have also enjoyed revivals in recent decades, thanks to a slow-burn interest in preserving and promoting indigenous tongues.
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Besma Agrebaoui 2020-10-03   

The mystery writer is the world’s best-selling novelist and most translated author – so what are non-Brits learning about English people and culture through her stories? Her works are seen as so easy to read, she’s a favourite author of people learning English. Christie is also, by leaps and bounds, the world’s most translated author – so if many people are learning the English language through Christie, they are learning about the English people through her, too. This is obvious, for instance, in the Collins English Readers series of abridged Christie books, whose cultural notes explain such topics as English village life and the saying ‘No smoke without fire’. For Brobeck, Christie was not only the first adult author she read heavily, but her first major exposure to English culture. “Of course that influences your idea of Englishness,” she says. Christie’s version of Englishness is “there to be played with, rather than grimly realistic,” says the University of Hull English lecturer Sabine Vanacker. As with other classic crime fiction, her settings and characteristics take some artistic licence and even have elements of caricature. In reality, of course, not every British village has a kindly vicar, a blowhard colonel, a brittle lawyer, and a twinkling doctor – or indeed a preponderance of murderers. There’s also a surprising lack of pubs in her stories.
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Besma Agrebaoui 2020-10-03   

1--- Tax-free : Despite not being required to pay tax, the Queen voluntarily began paying her fair share in 1992 --- 2--- Drive without a license in the UK 3--- Can’t be arrested 4--- Doesn’t need a passport to travel 5--- Head of a religion 6--- Two birthdays 7--- Private cash machine (ATM) 8--- Her own poet
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